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Richard Stöhr: Chamber Music, Volume Two
Like Korngold, Toch, Schoenberg, Zeisl and Zemlinsky, Richard Stöhr (1874–1967) was another Austrian composer driven into American exile by the Nazis. His generous output of music – ripe for rediscovery – includes seven symphonies, fifteen violin sonatas among much other chamber music, songs, and choral and piano pieces. His expansive E flat Piano Trio of 1905 sits firmly in the Viennese Romantic tradition downstream from Schubert and Brahms, with one lovely tune following another, whereas the Three Songs, written only four years later, look forward to the lyrical intensity of Korngold.
Laura Roelofs, violin (Tracks 1-4)
Stefan Koch, cello
Mary Siciliano, piano
Seth Keeton, bass-baritone (Tracks 5-7)
Thym for a Song
Music: A Connected Art/Die Illusion der absoluten Musik: A Festschrift for Jürgen Thym on his 80th BirthdayVerlag Valentin Koerner, Baden-Baden, 2023Reviewed by Niall Hoskin Jürgen Thym…
Reflections on the Life and Work of Friedrich Gernsheim – With Some Help from the Young People of Worms
Ever since, some years ago, I heard the State Philharmonic Orchestra of Rhineland-Palatinate performing a symphony by Friedrich Gernsheim (1839–1916), I have been seeking to…
C. P. E. Bach: Spiritual Songs
C. P. E. Bach's two collections of religious songs, published in 1758 and 1780-81, were among the most popular eighteenth-century Lieder publications. Here a selection of them is recorded for the first time with complete texts and accompanied with the clavichord, the composer's favourite instrument, underlining their intimate nature, intended more for private devotional use than for public performance. The recording includes the 'Hamlet Fantasy' that resulted when the poet Heinrich Wilhelm von Gerstenberg imposed his paraphrase of Hamlet's soliloquy on one of C. P. E. Bach's keyboard pieces.
Norbert Meyn, tenor
Terence Charlston, clavichord